Описание: Explores how competing understandings of the US South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. A critical disjuncture exists between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other.
Автор: C. Rom?n-Odio Название: Sacred Iconographies in Chicana Cultural Productions ISBN: 1349342564 ISBN-13(EAN): 9781349342563 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the iconography of the Virgin of Guadalupe as a force for social justice and feminist emancipation within Chicana cultural productions from 1975-2010. In these productions the Virgin serves as a paradigm to unlock the histories of conquest and colonization, racism, and sexual oppression in the US-Mexico borderland and beyond.
Описание: Using Chela Sandoval`s theories of methodologies of the oppressed, this book examines the art created by several Caribbean women who use literature, film, graphic novels, music, testimonios, photographs, and other forms of art to convey social justice, democracy, and new ways of re/imaging marginal identities.
Описание: Imperial Russia`s large wolf populations were demonized, persecuted, tormented, and sometimes admired. That Savage Gaze explores the significance of wolves in pre-revolutionary Russia utilizing the perspectives of cultural studies, ecocriticism, and human-animal studies.
Описание: Imperial Russia`s large wolf populations were demonized, persecuted, tormented, and sometimes admired. That Savage Gaze explores the significance of wolves in pre-revolutionary Russia utilizing the perspectives of cultural studies, ecocriticism, and human-animal studies.
Описание: Los Angeles, called Tehrangeles because it is home to the largest concentration of Iranians outside of Iran, is the birthplace of a distinctive form of postrevolutionary pop music. Created by professional musicians and media producers fleeing Iran's revolutionary-era ban on “immoral” popular music, Tehrangeles pop has been a part of daily life for Iranians at home and abroad for decades. In Tehrangeles Dreaming Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the songs, music videos, and television made in Tehrangeles express modes of Iranianness not possible in Iran. Exploring Tehrangeles pop producers' complex commercial and political positioning and the histories, sensations, and fantasies their music makes available to global Iranian audiences, Hemmasi shows how unquestionably Iranian forms of Tehrangeles popular culture exemplify the manner in which culture, media, and diaspora combine to respond to the Iranian state and its political transformations. The transnational circulation of Tehrangeles culture, she contends, transgresses Iran's geographical, legal, and moral boundaries while allowing all Iranians the ability to imagine new forms of identity and belonging.
Описание: Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination reconsiders cultural representations of Assia Wevill (1927- 1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twentieth-century poets. Julie Goodspeed-Chadwick's innovative study combines feminist recovery work with discussions of the power and gendered dynamics that shape literary history. She focuses on how Wevill figures into poems by Sylvia Plath and Ted Hughes, showing that they often portrayed her in harsh, conflicted, even demeaning terms. Their representations of Wevill established condemnatory narratives that were perpetuated by subsequent critics and biographers and in works of popular culture. In Plath's literary treatments, Goodspeed-Chadwick locates depictions of both desirable and undesirable femininity, conveyed in images of female bodies as beautiful but barren or as vehicles for dangerous, destructive acts. By contrast, Hughes's portrayals illustrate the role Wevill occupied in his life as muse and abject object. His late work Capriccio constitutes a sustained meditation on trauma, in which Hughes confronts Wevill's suicide and her killing of their daughter, Shura. Goodspeed-Chadwick also analyzes Wevill's self-representations by examining artifacts that she authored or on which she collaborated. Finally, she discusses portrayals of Wevill in recent works of literature, film, and television. In the end, Goodspeed-Chadwick shows that Wevill remains an object of both fascination and anger, as she was for Plath, and a figure of attraction and repulsion, as she was for Hughes. Reclaiming Assia Wevill reconsiders its subject's tragic life and lasting impact in regard to perceived gender roles and notions of femininity, power dynamics in heterosexual relationships, and the ways in which psychological traumas impact life, art, and literary imagination.
Описание: Through the lens of reception studies, Antiquity Now examines the ideological uses of the classical world in contemporary media, including surprising new developments in comic books, film, drama and fiction. This book will be valuable to scholars and students of American, classical and cultural studies.
Описание: The Collective Imagination explores the social foundations of the human imagination. A comprehensive audit of the creativity claims of the post-modern age - that finds them badly wanting and looks to the future - this book will appeal to sociologists and philosophers concerned with cultural theory, cultural and media studies and aesthetics.
Описание: This book, written from a feminist perspective, uses the focus of duelling to discuss the nature of masculinity in Russia. It traces the development of duelling and masculinity historically from the time of Peter the Great onwards, considers how duelling and masculinity have been represented in both literature and film.
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